BEVERLY HILLS, CA –
The Paley Center for Media, the leading nonprofit cultural institution that showcases the importance and impact of media in our society, will launch “The Artistry of Outlander,” a free, open to the public, multimedia and interactive exhibit, at its Beverly Hills location (465 N. Beverly Dr, Beverly Hills, CA 90210) on Wednesday, June 8, 2016.

The first-of-its-kind exhibit will run throughout the summer and will take guests into the world of the critically acclaimed Starz and Sony Pictures Television series Outlander, showcasing iconic costumes designed by Emmy® Award-winning Costume Designer Terry Dresbach. Visitors can step into 18th century Parisian society where they will be able to view actual set pieces from Outlander production designer Jon Gary Steele, life-size episodic photography, and behind-the-scenes video segments.

“The Artistry of Outlander” is free to the public and will take over areas on the first and second floors at The Paley Center for Media in Beverly Hills. The exhibit hours are Wednesday-Sunday from 12:00 – 5:00 pm PT.
“The Paley Center puts the fan first and we are thrilled to offer this exclusive and exciting experience to the public,” said Maureen J. Reidy, President and CEO of The Paley Center for Media. “‘The Artistry of Outlander’ exhibit at the Paley Center in Beverly Hills will take fans behind the scenes to explore the creativity of the Starz & Sony Pictures Television hit show in a way that has never been done before.”

“We could not be more proud than to launch the ‘Artistry of Outlander’ exhibit at the Paley Center, which has been a champion of the television art form over the decades,” said Starz CEO and proud Paley Board Member Chris Albrecht. “The work done by the artisans of Outlander particularly our costume designer Terry Dresbach, art director Jon Gary Steele and their teams in Scotland deserves to be celebrated and shared with the fans. We are thrilled for this partnership with our studio, Sony Pictures Television, and the Paley Center.”

“The Paley Center is the ideal place to showcase the authenticity and great detail put into these works of art and immerse visitors in the ‘Artistry of Outlander,’” said Sony Pictures Television Presidents of Programming and Production Zack Van Amburg and Jamie Erlicht.

“Bringing the expansive world of Outlander to life was a monumental task by Ron, Terry, Gary and their design teams. We’re honored to be partnering with Starz to make it available to fans and invite them to travel through time with this incredible exhibit.”
As a leading nonprofit cultural institution, this exhibit is part of the Paley Center’s ongoing commitment to preserving, exploring, and interpreting the media through its extensive, public Archive and educational programs. The Paley Center is home to the nation’s foremost publically accessible archive of television, radio, and new media content, with over 160,000 programs spanning the history of media.
Outlander can be seen via the STARZ app! Download it today!
Don’t forget to watch out OutlandDish recaps on The Anglophile Channel on YouTube:
See you at the Paley Center!
Lady Anglophile…hoping to try on a frock or two!












Hopefully the new electrical wiring is beyond my fatal meddling. Breakfast on the glass enclosed terrace overlooking the Strand was a magical way to begin even a rainy day. The waitress greeted several regulars by name and had us all smiling and laughing and making cross table conversation. The location is perfect for walking to museums and theatres. Our lovely room was spacious which is a rare and wonderful thing in our budget. What absolutely sealed Robert’s favor was a surprise cake and champagne sent up for his birthday by a very attentive staff.


















































The end of Downton Abbey is a loss and one does not trot out perceived shortcomings at a funeral. That beautiful final episode had tears flowing to ‘Auld Lang Syne” as if a dear friend were bidding me farewell forever. Downton Abbey will be missed.

It was almost edifying.
A little Downton mania didn’t hurt anybody, although it could get expensive. I had to order all the dvds to binge on the last couple episodes of the season before they were aired. Many books were purchased and devoured. I spent too much for tea with Downton pictures and fanciful names on the tin. A visit to Highclere was in order. As the familiar rooftop became visible over the horizon I had to choke back sobs and explain to the taxi driver who was careful not to mock.
Upstairs, all was perfection. The Dowager Countess said things that would have infuriated me in real life, but were endearingly funny in the context of the show and quotable amongst the cognoscenti. The Earl and Countess of Grantham had an exceptionally stronger sense of social justice and far more tolerance for ex-cons than I have although I spent many of my formative years in the projects. With that kind of background, you’d think I’d be on the side of Miss Bunting or Daisy at her most revolutionary. No. Absolutely not. Julian Fellowes had me so wrapped around his creative little well-born finger that I found in myself in daydreams slipping comfortably into this very foreign world, and, more incredibly, longing for a time which, realistically, I wouldn’t have enjoyed much at all. But as long as I was letting my delusions run amok, against all probabilities, I pictured myself living upstairs! I was not only imagining what I would do in Lady Mary’s impossibly elegant shoes, but I’ve even dreamed up my own role and story lines for the show.


Many of the cast are moving on to new projects and I’ll be cheering for them. Julian Fellowes has a new work of fiction coming out called Belgravia which sounds intriguing. Reports are that his television project “The Gilded Age” is in development for NBC and no doubt, it will be something special. Many shows have already been touted as “The Next Downton” and have only disappointed.Anyway, it’s too soon. It hurts too much. It might be a fabulous show. It might be as perfect as Poldark, but it won’t quite be filling the void which Downton has left.


















